Abstract

In this topic, we touched upon an attempt to limit the rhythm as a sticky concept that refuses to control. And we deliberately associated it with a kind of poetry, which was considered a revolution in the poetry of the early ones as an art and life. We were given a confusing poem for readers who used to have typical poems based on a well-known and fenced structure in order to define their dictionaries, their meanings and their pictures. Interestingly, it enabled us to have great rhythmic potentials, so the illusion of the minds that shows were killed in the rhythm of its fertility was removed, as it allowed us to rotate and creeping in frequency. And we tested the ability of grammar compassionately, a condition and a synthesis to give rhythmic peculiarity to the poetry of the romantics by reviving rhythms that were marginalized by the typical poem of the first.